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Posts Tagged ‘Art’

Gallery

Monday, December 4th, 2017

http://nico-gomez.com/index.php

resources for Black history

Sunday, April 19th, 2015

link here

the pre raphaelites

Sunday, March 27th, 2011

expo au Musée d’Orsay !

http://www.musee-orsay.fr/fr/evenements/expositions/au-musee-dorsay/presentation-detaillee/page/1/article/une-ballade-damour-et-de-mort-27129.html?tx_ttnews%5BbackPid%5D=649&cHash=158315b208

Webquest Secondes

Wednesday, January 5th, 2011

 Webquest about Sherlock Holmes here

Another Art Webquest here and here

Bansky : a street artist

Wednesday, December 15th, 2010

Banksy (1974 — ) is a graffiti artist from Bristol, UK, whose artwork has appeared throughout London and other locations around the world

Some believe that his stencilled graffiti provides a voice for those living in urban environments that could not otherwise express themselves, and that his work is also something which improves the aesthetic quality of urban surroundings

A common technique in Banksy’s art is to play on the perspective and edges of the item on which he is stencilling.

David Hockney

Wednesday, December 15th, 2010

my last post was about the exhibition of digital paintings by David Hockney,

Here you can see works of art which made him famous :

The Big Splash

 

David Hockney : Fresh Flowers exhibition

Wednesday, December 15th, 2010

The first major exhibition of the artist’s work in Paris in a decade! Wih paintings made on an iPad and iPhone!

On display you’ll see a number of new paintings created on the iPhone and iPad, mostly using the Brushes app. Not only will the painting already finished be put on display, but Hockeny will be e-mailing in new ones during the time of the show so that they can be seen too. How very 2.0 and 21st century!

Hockney, who has been an important contributor to the Pop Art movement of the 1960s, has created some of the most memorable works of painting, photography and design of the 20th century

more on this exhibition :

http://www.bbc.co.uk/news/technology-11666162

Lucian Freud

Wednesday, March 24th, 2010

Lucian Freud is a painter of german origin, born in 1922.

He is the grandson of Sigmund Freud, the famous psychnalyst.

Here are some of his paintings.

Freud’s subjects are often the people in his life; friends, family, fellow painters, lovers, children. To quote the artist: “The subject matter is autobiographical, it’s all to do with hope and memory and sensuality and involvement, really.

” I paint people,” Freud has said, “not because of what they are like, not exactly in spite of what they are like, but how they happen to be.”

 (a self-portrait)

tableau de Lucian Freud petit-fils de Sigmund Freud

more paintings here

Frida Kahlo

Monday, March 22nd, 2010

Turner and the Masters

Wednesday, February 24th, 2010

Shown at the Tate Britain from 23 September 2009 to 31 January 2010. To be shown at the Prado, Madrid from 22 June to 19 September 2010.

The British landscapist J.M.W. Turner (1775-1851) was highly unusual in that he responded to the works of the old Masters and his contemporaries throughout his lengthy career. This often anxious, pernickety, deliberately competitive but always fertile exchange was an integral part of his work as a painter. Turner emerged in the mid-1790s as a particularly gifted and ambitious watercolourist, rivalling his greatest contemporaries (including his friend Thomas Girton (1775-1802)) but also eager to improve his painting technique by studying the Welsh landscapist Richard Wilson (1713-1782) and visiting private collections.

At first he faithfully applied the methods of the budding English watercolour tradition. When he turned to oil painting, he took inspiration from the Dutch landscape painters in the Rembrandt tradition, using a narrow, sombre colour range. The stimulating and already classical example of his great predecessor Richard Wilson led him, towards the turn of the century, to tackle classical landscapes of broader scope and brighter colours. At the same time he studied the art of the great landscape painters working in Italy in the 17th century: Salvatore Rosa (1615-1673) and Nicolas Poussin (1596-1665). Far from producing pastiches of these great models, Turner let powerful, turbulent energy upset the perfection of their harmonious compositions and came close to launching the masterly British tradition of fantastic landscapes with The Deluge (1805, Tate) directly inspired by the painting of the same name by Nicolas Poussin (1664, Louvre).

The two canvases will be shown side-by-side in the exhibition. Turner’s few sallies into history painting (The Holy Family, 1803, Queen’s collection, or Venus and Adonis: Adonis departing for the chase circa 1805, private collection) used richer, deeper colours influenced by Titian (circa 1490-1576) (Virgin with a Rabbit circa 1530, Louvre) and Claude Lorrain. His small figure paintings rival with lesser known masters from the period such as Watteau (1684-1721) (What you will!, 1822, Williamstown, Clark Institute) or his most famous rivals such David Wilkie (1785-1841). The fruitful dialogue with the landscape artists of the following generation, Bonington (1802-1828) (French Coast with Fishermen 1826, Tate) and Constable (1776-1837) (The opening of Waterloo Bridge, 1829, Tate) amplified the freedom of Turner’s brushwork and tone (Calais Sands, Low Water, Poissards Collecting Bait, 1830, Bury Art Gallery or Beached Boat circa 1828, Tate).
After 1820, his discovery of Venice (Venice from the Porch of the Madonna della Salute, 1835, New York, Metropolitan Museum) and a more intensive study of Claude Lorrain led to more sophisticated colour and a mastery of multiplane, vaporous compositions (Palestrina Composition, 1828, Tate). As Turner himself wished, the exhibition will compare one of his most complex masterpieces, The Decline of the Carthaginian Empire (1817, Tate) with two of Claude Lorrain’s magnificent visions which inspired it: Sunset at sea (Louvre, 1639) and Le Débarquement de Cléopâtre à Tarse (Louvre)
By deliberately engaging with other painters, Turner developed his dazzling freedom to paint which reached its apogee in the last decade of his career (Snow Storm, Steam-Boat Off a Harbour’s Mouth, 1842, London, Tate).

“Turner and the Masters” is an illustrated demonstration of the way Turner constructed his remarkable vision throughout his long career. It brings together a hundred paintings and graphic works (studies, engravings) from major British and American collections, the Louvre, the Prado and the Tate Britain.

 

Turner_der_letzte_fahrt_der_temerai

 

 

 

 

 

 

File:Joseph Mallord William Turner 012.jpg