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B1B2-1. Identities & Exchanges

Maori facial markings get visibility

Maori journalist becomes first person with facial markings to present primetime news Written by Jeevan Ravindran, CNN Updated 31st December 2021 Maori journalist becomes first person with facial markings to present primetime news A Maori journalist has made history in New Zealand by becoming the first person with traditional facial markings to host a primetime … Continuer la lecture »

Catégories: A2B1-4. Self-representation & Relation to others, A2B1-8. Past within Present, AMC1°_2-1-Being heard, AMC1°_2-3-Representing the world and oneself, AMCT°_1-2-Public and individual freedoms, AMCT°_3-1-Power and influence, AMCT°_3-3-Common inheritance and diversity, B1B2-1. Identities & Exchanges, B1B2-7. Diversity & Inclusion, B1B2-8. Territory & Memory, LLCET°_2-2-Self-representation | Tags: , , , , , , , , | Commentaires fermés sur Maori facial markings get visibility

Indigenous communities celebrate the Aboriginal Flag

Who is Harold Thomas, the man who created the Aboriginal flag? Posted Tue 25 Jan 2022 Harold Thomas designed the Aboriginal flag in 1970.(Supplied: David Hancock) The Aboriginal flag, for the first time, can now be freely used by all Australians. That’s because Harold Thomas, the man who designed the flag, agreed to transfer its copyright to the Commonwealth … Continuer la lecture »

Catégories: AMC1°_2-3-Representing the world and oneself, AMCT°_1-1-Unity and plurality, AMCT°_1-3-Equalities and inequalities, AMCT°_3-3-Common inheritance and diversity, B1B2-1. Identities & Exchanges, B1B2-7. Diversity & Inclusion, B1B2-8. Territory & Memory, LLCET°_2-2-Self-representation, LLCET°_3-2-Anchoring and inheriting | Tags: , , , , , , | Commentaires fermés sur Indigenous communities celebrate the Aboriginal Flag

Why is everything white?

Catégories: AMC1°_2-3-Representing the world and oneself, AMCT°_1-3-Equalities and inequalities, B1B2-1. Identities & Exchanges, B1B2-7. Diversity & Inclusion, LLCE1°_2-3-Confrontation to difference | Tags: , , , , , , | Commentaires fermés sur Why is everything white?

Is TikTok a platform for art?

Fab abs, trauma videos and a big pile of sweets: the art and artists of TikTok From the user proudly exhibiting his dad’s nudes to the woman making sculpting dangerous, art on TikTok is direct, intimate and confessional, with little time for the abstract or avant garde Keep it succinct … Nakama Umeboi with a … Continuer la lecture »

Catégories: A2B1-6. Creation & Relation to Arts, AMC1°_1-1-Production and circulation of knowledge, AMCT°_2-1-Frontier and space, AMCT°_3-1-Power and influence, B1B2-1. Identities & Exchanges, B1B2-2. Private Space & Public Space, B1B2-3. Art & Power, B1B2-4. Citizenship & Virtual Worlds, LLCET°_1-2-Polemical art | Tags: , , , , , | Commentaires fermés sur Is TikTok a platform for art?

Racism on US Campus

Catégories: A2B1-4. Self-representation & Relation to others, A2B1-8. Past within Present, AMCT°_1-1-Unity and plurality, AMCT°_1-3-Equalities and inequalities, AMCT°_3-1-Power and influence, AMCT°_3-2-Rivalries and interdependencies, AMCT°_3-3-Common inheritance and diversity, B1B2-1. Identities & Exchanges, B1B2-2. Private Space & Public Space, B1B2-7. Diversity & Inclusion, B1B2-8. Territory & Memory | Tags: , , , , , , , , , , , | Commentaires fermés sur Racism on US Campus

The Extraordianry Treck of George Takei

 

Catégories: A2B1-8. Past within Present, AMCT°_1-1-Unity and plurality, AMCT°_1-3-Equalities and inequalities, AMCT°_2-1-Frontier and space, AMCT°_3-1-Power and influence, AMCT°_3-2-Rivalries and interdependencies, AMCT°_3-3-Common inheritance and diversity, B1B2-1. Identities & Exchanges, B1B2-5. Fictions & Realities, B1B2-7. Diversity & Inclusion, B1B2-8. Territory & Memory, LLCET°_1-1-Art and protest, LLCET°_3-2-Anchoring and inheriting | Tags: , , , , , , , , | Commentaires fermés sur The Extraordianry Treck of George Takei

Black Native Americans fight for recognition

https://www.nytimes.com/2020/09/08/us/enslaved-people-native-americans-oklahoma.html

Catégories: A2B1-8. Past within Present, B1B2-1. Identities & Exchanges, B1B2-7. Diversity & Inclusion, B1B2-8. Territory & Memory, LLCET°_3-2-Anchoring and inheriting, LLCET°_3-3-Migration and exile | Tags: , , , , , , , | Commentaires fermés sur Black Native Americans fight for recognition

The problem we all live with

The “Contemporary” Racial Conscience and Sensitivity of Norman Rockwell

Catégories: A2B1-8. Past within Present, AMC1°_2-3-Representing the world and oneself, AMCT°_3-3-Common inheritance and diversity, B1B2-1. Identities & Exchanges, B1B2-3. Art & Power, B1B2-7. Diversity & Inclusion, LLCE1°_2-3-Confrontation to difference, LLCET°_1-1-Art and protest | Tags: , , , , , , , | Commentaires fermés sur The problem we all live with

Connecting Verbal and Visual

A show about the relationship between seeing and reading feels like a return to Romanticism – a belief in the passionate expression of the spirit read the whole article: Poet Slah Artist

Catégories: AMC1°_2-1-Being heard, AMCT°_3-1-Power and influence, B1B2-1. Identities & Exchanges, B1B2-3. Art & Power, LLCET°_1-1-Art and protest, LLCET°_2-1-Expressing emotions | Tags: , , , , | Commentaires fermés sur Connecting Verbal and Visual

Two decades of Indigenous photography

Sometimes photos are more powerful than words They can touch your heart and soul when words speak to the mind. 

Catégories: AMC1°_2-3-Representing the world and oneself, AMCT°_1-1-Unity and plurality, AMCT°_1-3-Equalities and inequalities, AMCT°_3-3-Common inheritance and diversity, B1B2-1. Identities & Exchanges, B1B2-3. Art & Power, B1B2-8. Territory & Memory, LLCET°_2-2-Self-representation, LLCET°_3-2-Anchoring and inheriting | Tags: , , , | Commentaires fermés sur Two decades of Indigenous photography