AMCT°_2-1-Frontier and space

The Extraordianry Treck of George Takei

 

Catégories: A2B1-8. Past within Present, AMCT°_1-1-Unity and plurality, AMCT°_1-3-Equalities and inequalities, AMCT°_2-1-Frontier and space, AMCT°_3-1-Power and influence, AMCT°_3-2-Rivalries and interdependencies, AMCT°_3-3-Common inheritance and diversity, B1B2-1. Identities & Exchanges, B1B2-5. Fictions & Realities, B1B2-7. Diversity & Inclusion, B1B2-8. Territory & Memory, LLCET°_1-1-Art and protest, LLCET°_3-2-Anchoring and inheriting | Tags: , , , , , , , , | Commentaires fermés sur The Extraordianry Treck of George Takei

Language adapts to people not the contrary.

My English will never be ‘perfect’ – and that’s what keeps a language alive by Nesrine Malik As a child, I mixed English with Arabic. Now I know there’s no such thing as a fixed language that belongs to one special group. A sign for English lessons in Nawalgarh, Rajasthan, India. Photograph: Alamy Mon 28 … Continuer la lecture »

Catégories: AMC1°_2-3-Representing the world and oneself, AMCT°_2-1-Frontier and space, AMCT°_3-1-Power and influence, AMCT°_3-3-Common inheritance and diversity, B1B2-1. Identities & Exchanges, B1B2-7. Diversity & Inclusion, LLCE1°_2-2-Relation between the individual and the group, LLCET°_2-3-Initiation and apprenticeship, LLCET°_3-3-Migration and exile | Tags: , , , , | Commentaires fermés sur Language adapts to people not the contrary.

US History Interactive Map

U.S. History Map Interactive

Catégories: AMC1°_2-3-Representing the world and oneself, AMCT°_2-1-Frontier and space, B1B2-8. Territory & Memory, LLCE1°_2-2-Relation between the individual and the group, LLCET°_3-1-Exploration and adventure, LLCET°_3-3-Migration and exile | Tags: , , | Commentaires fermés sur US History Interactive Map

On how JR’s confrontational street art went global

Backdrops to a riot: JR on how his confrontational street art went global Migrants, Mayra, Picnic Across the Border … spanning the US-Mexican border at Tecate, 2017. Photograph: JR-art.net His portraits of his Paris neighbourhood summed up its residents’ anger. Now his subversive installations straddle borders, float on boats and envelop favelas. We speak to … Continuer la lecture »

Catégories: AMC1°_2-3-Representing the world and oneself, AMCT°_2-1-Frontier and space, AMCT°_3-1-Power and influence, B1B2-3. Art & Power, LLCET°_1-1-Art and protest | Tags: , , , , , , | Commentaires fermés sur On how JR’s confrontational street art went global

Building a better future for Ireland.

Empire shaped Ireland’s past. A century after partition, it still shapes our present. Michael D Higgins Thu 11 Feb 2021 13.00 GM Only by remembering complex, uncomfortable aspects of Britain and Ireland’s shared history can we forge a better future Michael D Higgins is president of Ireland Ireland is currently engaged in a process of … Continuer la lecture »

Catégories: AMCT°_1-1-Unity and plurality, AMCT°_2-1-Frontier and space, AMCT°_3-2-Rivalries and interdependencies, B1B2-1. Identities & Exchanges, B1B2-7. Diversity & Inclusion, B1B2-8. Territory & Memory | Tags: , , , , , , , , | Commentaires fermés sur Building a better future for Ireland.

Native-American activism from the 1960s to present

Native American Activism: 1960s to Present

Catégories: A2B1-4. Self-representation & Relation to others, A2B1-8. Past within Present, AMCT°_1-1-Unity and plurality, AMCT°_2-1-Frontier and space, AMCT°_3-3-Common inheritance and diversity, B1B2-1. Identities & Exchanges, B1B2-5. Fictions & Realities, B1B2-7. Diversity & Inclusion, B1B2-8. Territory & Memory, LLCET°_3-3-Migration and exile | Tags: , , , | Commentaires fermés sur Native-American activism from the 1960s to present

Indigenous Women in Canada disappear …

Indigenous women are preyed on at horrifying rates. I was one of them by Brandi Morin Twenty-seven years ago I almost ended up a grim statistic, like so many Indigenous women and girls. It’s still happening. Red dresses hang on a fence near the TransMountain pipeline site in Blue River, British Columbia. Red dresses symbolize … Continuer la lecture »

Catégories: A2B1-8. Past within Present, AMCT°_1-3-Equalities and inequalities, AMCT°_2-1-Frontier and space, AMCT°_3-1-Power and influence, B1B2-7. Diversity & Inclusion, LLCET°_3-3-Migration and exile | Tags: , , , , , , | Commentaires fermés sur Indigenous Women in Canada disappear …

Revisiting the western genre

Revisiting the genre in 1993, questioning the traditional archetypes. Now in 2019, combining clichés and genres, twisting reality. Ready for the show ? LYRICS Old Town Road Lil Nas X Yeah, I’m gonna take my horse to the old town road I’m gonna ride ’til I can’t no more I’m gonna take my horse to … Continuer la lecture »

Catégories: AMCT°_2-1-Frontier and space, B1B2-7. Diversity & Inclusion, B1B2-8. Territory & Memory, LLCET°_2-2-Self-representation, LLCET°_3-1-Exploration and adventure, LLCET°_3-2-Anchoring and inheriting | Tags: , , , , , , , , | Commentaires fermés sur Revisiting the western genre

Steven Spielberg’s E.T

LUMNI enseignement

Catégories: AMC1°_2-3-Representing the world and oneself, AMCT°_2-1-Frontier and space, B1B2-7. Diversity & Inclusion, LLCE1°_1-1-creative and visionary imagination, LLCE1°_1-2-Freaks, fairies and fancy worlds, LLCE1°_2-1-Love and friendship, LLCE1°_2-3-Confrontation to difference | Tags: , , , , | Commentaires fermés sur Steven Spielberg’s E.T

The History of Bombs : Is it Art ?

‘the brilliance of this intervention lies in the fact that you don’t need to know it’s art to find it interesting’  The Guardian A seductive and terrifying array of fetishised weapons of mass destruction is mapped across the main hall of the Imperial War Museum in this powerful intervention that – like the museum itself … Continuer la lecture »

Catégories: A2B1-6. Creation & Relation to Arts, A2B1-8. Past within Present, AMC1°_2-3-Representing the world and oneself, AMCT°_2-1-Frontier and space, AMCT°_3-1-Power and influence, AMCT°_3-3-Common inheritance and diversity, B1B2-3. Art & Power, LLCET°_1-1-Art and protest | Tags: , , , , , , | Commentaires fermés sur The History of Bombs : Is it Art ?